focuses on both the advantageous and restrictive impacts of European traditions on American innovations

Write a review that focuses on both the advantageous and restrictive impacts of European traditions on American innovations based on your readings; include minority groups in the discussion.  

BEFORE YOU BEGIN: Remember to incorporate the following guidelines from the syllabus into your writing. 

Formal essay style (1-2 pages, no more than 3!) is expected, including format, grammar, punctuation, and proper citation. Papers should be double-spaced with Times New Roman 12-point font and include a header and proper citation in your preferred style of formatting (MLA, APA, or Chicago Style, 17th edition). Please follow the rubric guidelines or your grade will be affected. (Other types of review media submissions may be considered but must gain prior approval from the instructor.)

The writing guidelines for reviews is broken down into 5 categories, with each category receiving up to 5 possible points:  

Does the response address the topic at hand?

Does the response show a knowledge of the reading and media materials?

Does the response demonstrate writing clarity and conciseness? (If your review is only 1 page, it needs to be extremely well-crafted in order to follow these guidelines.)

Does the response properly cite sources used?

  • Does the response demonstrate proper grammar, spelling, punctuation, and other general writing skills?
  • You can use any of these videos you do not have to use them all or you can use the book from the specific set of pages that are listed

Book links:

  •  
  • Lorenzo Candelaria and Daniel Kingman, American Music: A Panorama:

Part VI, “Classical Music,” Chapters 17-18, pages 282-312. 

  • Complete Listening Cues as you read. 
  • Gilbert Chase, America’s Music: From the Pilgrims to the Present

Chapter 5: “Gentlemen Amateurs,” pages 72-93 

“Benjamin Franklin Invents the Glass Armonica | PBS | A Film by Ken Burns,”   

  • “CHEVY CHASE – SONGS OF THE ROYAL NAVY,”   

“Benjamin Franklin – Quartet for 3 Violins and Cello in F major (ca. 1778),”  

“My Days Have Been So Wondrous Free (Francis Hopkinson) Thomas Hampson,”  

“Three Songs for George Washington – Francis Hopkinson,”   

  • Chapter 9: “Genteel Tradition,” pages 147-169 

“Lilly Dale,”  

“Thomas Hampson – Copland – Long Time Ago,”  

“Stephen Foster – Gentle Annie,”  

“Parlor Music ‘Hazel Dell,’  

“The Battle Cry of Freedom (The North (1991 Remastered),”  

“Come Home, Father,”  

“United States of America (1776-) Civil War song “Marching Through Georgia” (1864),”   

“All Quiet Along The Potomac Tonight,”  

“The Blue Juniata (1844),”  

“Song of New England (1844),”  

“Roll On Silver Moon / Now The Day Is O’er,”   

  • “I’ll Make Him Speak Out (1843),”  

“King Alcohol: The Hutchinson Family Singers,”  

  • Chapter 16: “Exotic Romanticism,” pages 285-301. 

“Musieu Bainjo (aka Mister Banjo),”  

“Louis Moreau Gottscalk: The Last Hope, Op. 16,”  

  • “Gottschalk – The Banjo, Op. 15 – Ivan Davis Piano,”  

Chapter 31: “The Grand Tradition,” pages 562-580. 

“Howard Hanson – Symphony No. 1, Op. 21 ‘Nordic’ [with score],”  

“Symphony No. 1 – Walter Piston,”  

  • “Roger Sessions – Solo Sonata,”  

“Roger Sessions: Symphony No 6 [Serebrier-Juilliard Orch] archival sound,”  

  • “Copland Plays Copland Piano Concerto,”  

“Aaron Copland – Connotations (1962),”   

“Roy Harris: Symphony 1933 (1933) Mov. 1,”  

  • “William Schuman – Symphony No. 3,”  

“Arthur Moreira Lima | Barber – Excursions (1973) (inedita),”  

  • “Symphony No.2 – Peter Mennin,”  

“Virgil Thomson (Symphony on a Hymn Tune),”  

“Roy Harris: Symphony No. 4 ‘Folk Song Symphony’ (1939),”   

“ROY HARRIS – Symphony No. 6, ‘Gettysburg’ – ‘Awakening’ (1944),”   

“Roy Harris Symphony No. 9,”   

Chapter 32: “Creative Systems,” pages 581-596 

“Schoenberg: Suite for Piano, Op.25 (Boffard),”  

“Ross Lee Finney, String Quartet No 6 in E, 1st and 2nd movements,”  

“Roger Sessions: Symphony No. 8 (1968),”   

“Babbitt, ‘Philomel’ (1964) [Monadnock Music Festival 2010],”   

“George Perle: Three Movements for Orchestra (1960) (1/2),”  

“Charles Wuorinen: Time’ Encomium,”  

“Bamboula – Louis Moreau Gottschalk,”  

“Charles Wuorinen: Grand Bamboula (1972),”  

“Elliott Carter – String Quartet No. 1,”  

  • “George Crumb, Makrokosmos, Vol. I, Nr 12. Spiral Galaxy [SYMBOL] (Aquarius),”  

“George Crumb – Black Angels [w/score],”   

Chapter 33: “Innovation and Experiment,” pages 597-618 

“Quartet Romantic: I. –”  

“HARRY PARTCH – U.S. Highball U.W. 2018,”  

“The Composer Harry Partch – An American Maverick | Harry Partch Project | Ensemble Musikfabrik,”  

“John Cage – First Construction (in Metal),”  

“John Cage – Sonata V (from Sonatas and Interludes) – Inara Ferreira, prepared piano,”  

“John Cage’s 4’33” explained: The music of silence,”  

“John Cage: HPSCHD (1969) Prima parte,”  

“Megaton For Wm. Burroughs – Gordon Mumma,”  

“Canticle no.3 (1941) by Lou Harrison | JMU Percussion,”  

  • “Philip Glass: Music with Changing Parts,”  

“Steve Reich, “Music for 18 Musicians” – FULL PERFORMANCE with eighth blackbird,”  

“Ben Johnston: Sonata for Microtonal Piano (1965),”  

“Conlon Nancarrow – ‘Transcendental’ Study for Player Piano 40a [Audio + Score],”  

“Pauline Oliveros – Sound Patterns,”  

“Barbara Kolb – Appello [w/score],”  

“Barbara Kolb – Chromatic Fantasy (1979),”  

focuses on both the advantageous and restrictive impacts of European traditions on American innovations

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